Archives for posts with tag: Freddie Freeloader

After listening to Miles Davis’ album “Kind of Blue” once again, my thought is the same as before. As mentioned before, “Kind of Blue” has the right mix of certain tones while still maintaining its relaxing feel at the same time. It is the kind of album where one can listen to during the day and would feel as if it’s already night time. Although I can’t say this is one of the best jazz albums of all time despite the general consensus in that regard, it’s due to the fact that I don’t pay much attention to jazz so my listening experience is limited. I was told to give this album a listen and after doing so, I enjoy every single track in this album. It’s even better when the album is listened in one entire sitting so that way the music style of “Kind of Blue” can be fully appreciated.

“Kind of Blue” is generally an interesting album as each tracks are unique can have different styles despite some similarities. Much of the similarities stem from “Who’s That?” and “Freddie Freeloader” as the latter track started out as a more fast-paced tone of the former. When the two tracks are listened together, it’s like listening to one whole track. As mentioned before, an interpretation can be made from the tracks in the album in which it can feel like a mix of suspense and mystery. This in turn helps connects the last three tracks to the first two as they are part of the story. “Blue in Green” signify depression and the low point of the plot, “All Blues” demonstrates the suspense, tension, and the triumph that comes with it, leading to the conclusion in “Flamenco Sketches” which closes the story. Each of the track has its own relaxing feel and can be interesting to listen in their own right separately as well.

I enjoy this album as the nighttime feel brings in the relaxation to help bring about a measure of comfort. It is the kind of album I would recommend not only the fans of Miles Davis, but also to the music fans as well. “Kind of Blue” is the album I would highly recommend.

Rating: 5 of 5

http://www.thejazzresource.com/top_25_jazz_albums.html
http://www.slate.com/articles/arts/music_box/2009/08/kind_of_blue.html

“Freddie Freeloader” is similar to “Who’s That?” as the early part of the theme was practically the same as the previous track. Eventually, what happen is that the music would then change its course by having the saxophones played with a differing composition to further differentiate the track from “Who’s That?” although the theme still stays the same as well. The musical theme is derived from the 12-bar blues as the instrumentals are made to emulate the feel of the said music genre. The emulation of the blues is evident throughout the entire album but in the case of “Freddie Freeloader”, the track has a more upbeat tone as the instrumentals become more active and involved within the performance as well.

The track is generally more upbeat and it is played with an optimistic feel. While it doesn’t necessarily mean that “Who’s That?” is a depressing track, “Freddie Freeloader” is much more fast-paced and exciting. As I consider “Who’s That?” as a introduction, “Freddie Freeloader” is where the story begins by taking off after the previous track ends. The pace of the music would stay upbeat throughout its entire run. Despite being over nine minutes long like the previous track, “Freddie Freeloader” felt as if it’s been played for half of its actual run time due to the pace. While I generally find “Who’s That?” much more relaxing to listen to, “Freddie Freeloader” happens to be more interesting as the pace grabs my attention for the whole time it gets played. It would sound as if the story itself begins with an optimistic feel in which the track then stays consistent until toward the end in which the instrumental would begin to slow down.

I enjoy this track and while it may not be as good as the tracks that came afterward, it’s still a good listen. Despite generally being the more faster and upbeat version of “Who’s That?” outside of a different composition in which the saxophone would take over, it still have a nighttime feel as the theme is still played with a soft composition the previous track has. Once “Freddie Freeloader” ends, from my own interpretation, the story would reach the darker tone on the next track.

Rating: 3.5 of 5

http://people.virginia.edu/~skd9r/MUSI212_new/diagrams/freddie_freeloader.html